Every Friday, music critics from The New York Times share their thoughts on the week’s most significant new tracks. Listen to the Playlist on Spotify here (or check our profile: nytimes) and on Apple Music here, and consider subscribing to The Amplifier, a bi-weekly guide featuring both new and classic songs.
Tate McRae, ‘Revolving Door’
Despite not having a plethora of instantly recognizable hits, 21-year-old singer Tate McRae continues to rise in prominence. Her latest track, “Revolving Door,” features a moody sound that suggests vulnerability. “I keep coming back like a revolving door,” she sings, capturing the feeling of conflicting emotions. Accompanied by captivating choreography in the music video, this single is one of her most compelling offerings. LINDSAY ZOLADZ
Perfume Genius featuring Aldous Harding, ‘No Front Teeth’
In “No Front Teeth,” Perfume Genius and Aldous Harding create an engaging blend of folk and psychedelic rock. The contrasting tones of their voices convey a longing for hope amid despair, adding layers to the song’s emotional depth. JON PARELES
Hurray for the Riff Raff, ‘Pyramid Scheme’
Alynda Segarra returns with “Pyramid Scheme,” a poignant reflection that intertwines personal struggle with broader societal concerns. “I don’t know who you want me to be,” she expresses, resonating with many listeners facing similar uncertainties. ZOLADZ
Sleigh Bells, ‘Bunky Pop’
The new track “Bunky Pop” from Sleigh Bells commemorates a beloved pet, blending feelings of loss with an upbeat tempo. Alexis Krauss alternates between melancholic lyrics and vibrant energy, portraying the complexity of grief through celebration. PARELES
Mamalarky, ‘#1 Best of All Time’
Mamalarky’s “#1 Best of All Time” presents a casual yet skillful narrative, as Livvy Bennett breezes through themes of self-assurance. With a laid-back vocal style and intriguing chord progressions, the song exudes an effortless vibe, showcasing the artistry in simplicity. PARELES
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