There are two significant moments in Steven Soderbergh’s documentary, “John Lennon: The Last Interview,” which reflect the complexities of John Lennon’s character. The first occurs early in the film when Lennon discusses his song “(Just Like) Starting Over.” This interview was Lennon’s last media conversation, taking place on December 8, 1980, the day he was murdered. Hours before this tragedy, Lennon and his partner Yoko Ono spoke with a small radio crew from KFRC in San Francisco. This was the only radio interview he gave to promote “Double Fantasy,” his comeback album released three weeks earlier.
Lennon describes the song as a celebration of his relationship with Yoko after experiencing difficult times. The lyrics convey joy but also a sense of reflection on their struggles. He explains that the song carries a broader message, addressing the divide between men and women in society, a theme influenced by the rise of feminism. Lennon hoped his message of reconciliation would resonate with both genders.
The second moment reveals a more complex side of Lennon. “Double Fantasy” marked his return to music after a five-year break dedicated to family life. During this time, he became a “househusband,” a role that was novel in the 1970s, focusing on raising his son, Sean. However, while he described this experience positively, it is evident that he relied on a nanny, raising questions about his portrayal of fatherhood.
Soderbergh’s documentary brings forth a vivid picture of Lennon at the height of his happiness, yet it reveals a side of him that some may find overly idealistic. The film serves as a poignant reminder of his life and the potential he had for the future. Lennon expressed a desire to perform live again, highlighting his readiness to return to the music scene. Ultimately, “The Last Interview” illustrates a vision of what Lennon might have achieved had his life not been cut short.
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